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FCJ-124 Interactive Environments as Fields of Transduction

By ⋅ October 9, 2011 ⋅ Post a comment

Christoph Brunner. Zurich University of the Arts & Concordia University, Montreal. Jonas Fritsch. Department of Information and Media Studies, Aarhus Universitet. Introduction Digital and interactive technologies have evolved dramatically as the traditional desktop computer has given way to ubiquitous computation. Computation is now an integrated part of many people’s everyday lives, a question of experience more than simple use, as John McCarthy and Peter Wright have argued in their seminal book on the subject Technology as Experience. Yet while all this might be a simple given, accounting for and working with the reality of newer interactive technologies is less straightforward. Ubiquitous computation provides a digital layer that can be added to almost anything, offering radically new contexts of use and technological possibilities (McCullough, 2004). This changes the way one can—and must—imagine the design of digital and interactive technologies. Design is often now for what Terry Winograd has termed ‘interspaces’, in […]

FCJ-122 Anxious Atmospheres, and the Transdisciplinary Practice of United Visual Artists

By ⋅ October 9, 2011 ⋅ Post a comment

Vince Dziekan Faculty of Art & Design, Monash University, Melbourne In the electric age all former environments whatever become anti-environments. As such the old environments are transformed into areas of self-awareness and self-assertion, guaranteeing a very lively interplay of forces. – Marshall McLuhan   This article initiates a course of research that takes as its focus the transdisciplinary practice of United Visual Artists (UVA). At the heart of UVA’s distinctive art and design practice is a prevailing interest in testing the spatio-temporal relations that exist between site, the performed work and audience perception. Concentrating primarily on the example of their kinetic light and sound sculpture, Chorus, the following text will investigate the aesthetic conditions that underwrite the work’s exhibition. By doing so, this enquiry will speculate on how the integration of digital processes and spatial practice embodied by this particular artwork operates transductively as part of its framing as a […]

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